He realised that he had PG spawn, and quickly dropped down to mega to grab it before the shaftwhore.. but the shaftwhore was fooKi and he got his ass handed to him.. /quit
gg no re

<3 lär dig rl för fan

T_T

dont get it :/

Upon waking, he realized that what he'd dreamt as the auras of plasma and lightning was in actuality the glow of bioluminescent landcrabs which seemed to render the unspecified male's eyelids transparent. Curiously, they seemed to be picking strange flowers covered in aqueous humor which somehow seemed to assist the process of inosculation.

shutup shutup SHUT8P

"Aaaargh. Bloody cold", he thought.

The man ran on through the strange field of glowing flowers, the flowers disappearing into large gaseous clouds as he stepped on them. As he ran on, he encountered that the crabs were running beside him. No, past him. He heard thumping sounds behind him and decided to speed up. He then turned around and saw a crab of gargantuan proportions, at least two hundred times his size. Luminescent to a degree of a star. It swept it claw across the flower fields, slicing the flowers, then a wooshing noise came, as it sucked in the large clouds of gas, it made a rumble of contentedness, and continued on with the harvesting in the mans direction. He resumed his running, faster than before. The crabs headlights were on him, casting the man's long, lanky shadow across the fields.

(OT: I'm kind of dissapointed at you people attempting to ruin the thread, please don't, and if you're gonna be like that just don't post, thanks Jude and agardenchair for continuing the story nicely.)

His heart pounded, his lungs gasped for air, as the terror of death drew nearer. But it was just too fast. He fell down with his face in the sand, frantically then got up and tried to crawl forward. Then it came, the sweeping motion of the giant claw hit him on the side with force almost knocking him out. He was carried on by it.

Suddenly he realized that most experimental tests of the Dirac electron theory pertain only to global observables" such as average energy, average momentum, and average angular momentum. The theory actually contains much more detailed implications about local observables" which describe a spacial distribution and °ow of charge, mass, energy-momentum, and angular momentum. The local observables of the Dirac theory have some peculiar properties of which Dirac was undoubtedly unaware when the theory was ¯rst formulated. These peculiarities deserve careful study; ¯rst, because they can be expected to lead to particularly sensitive tests of the theory if they can be subjected to experimental scrutiny; and second, because they furnish valuable theoretical clues about the interpretation and signi¯cance of the theory.
A systematic analysis of the properties of local observables happens to be surprisingly di±cult by conventional methods. This paper uses an unconventional mathematical formalism developed in Refs. to achieve a compact reformulation of the complete Dirac theory in terms of local observables. The new method greatly simpli¯es the derivation of conservation laws and \relations" among local observables. The results obtained are complete in the sense that the relations found among the observables determine the theory uniquely. It is believed that all signi¯cant relations among local observables found by previous
authors are derived here, though they usually appear in quite di®erent
form and often as only part of a more general relation. Because of the considerable di®erence in method and viewpoint, comparison of results is sometimes quite tedious, though it can always be carried out by the method explained in Appendix A. Since the work of Takabaysi is much more extensive than anything else in the literature on local observables, special e®ort was made to compare it with the present work; exact agreement has been found even on comparing some of the more complicated and esoteric formulas, though the two approaches have not been compared in every detail.

That post is irrelevant and is to be ignored unless it's changed to work with the story.

The trigram K&#259;n represents a mountain. Mountains rise up grandly from the surface of the earth, and their masses rest on it in quiet and solemn majesty; and they serve also to arrest the onward progress of the traveller. Hence the attribute ascribed to K&#259;n is twofold; it is both active and passive-resting and arresting. The character is used in this hexagram with both of those significations. As the name of the figure, it denotes the mental characteristic of resting in what is right; especially resting, as it is expressed by Chinese critics, 'in principle,'--that which is light, on the widest scale, and in the absolute conception of the mind; and that which is right in every different position in which a man can be placed. We find this treated of in the Great Learning (Commentary, chapter 3), and in the Doctrine of the Mean, chapter 14, and other places. This is the theme of the hexagram; and the symbolism of it is all taken from different parts of the human body, as in hexagram 31, and the way in which they are dealt with. Several of the paragraphs are certainly not easy to translate and interpret.

The other parts of the body, such as the mouth, eyes, and ears, have their appetencies, which lead them to what is without themselves. The back alone has nothing to do with anything beyond itself-hardly with itself even; all that it has to do is to stand straight and strong. So should it be with, us, resting in principle, free from the intrusion of selfish though s and external objects. Amidst society, he who realises the idea of the hexagram is still alone, and does not allow himself to be distracted from the contemplation and following of principle. He is not a recluse, however, who keeps aloof from social life; but his distinction is that he maintains a supreme regard to principle, when alone, and when mingling with others.

In the symbolism the author rises from one part of the body to the other. The first line at the bottom of the figure fitly suggests 'the toes.' The lesson is that from the first men should rest in, and be anxious to do, what is right in all their affairs. The weakness of the line and its being in an odd place give occasion for the caution, with which the paragraph concludes.

Above the toes are the calves, represented by the second line, weak, but in its proper place. Above this, again, are the loins, represented by 3, strong, and in danger of being violent. Line 2 p. 178 follows 3, and should help it; but is unable to do so; and there results dissatisfaction.

When the calves are kept at rest, advance is stopped, but no other harm ensues. Not so when the loins are kept at rest, and unable to bend, for the connexion between the upper and lower parts of the body is then broken. The dissatisfaction increases to an angry heat. Paragraph 3 is unusually difficult. For 'loins' P. Regis has scapulae, and for ribs renes; Canon McClatchie says:--'Third Nine is stopping at a limit, and separating what is in continued succession (i. e. the backbone); thus the mind,' &c.

Line 4 is a weak line resting in a proper place; hence it gives a good auspice. The Khang-hsî editors, however, call attention to the resting of the trunk as being inferior to the resting of the back in the Thwan.

The place of the weak fifth line is not proper for it; and this accounts for the mention of its subject 'repenting,' for which, however, there is not occasion.

The third line of the trigrams, and the sixth of the hexagram, is what makes K&#259;n what it is,--the symbol of a mountain. The subject of it therefore will carry out the resting required by the whole figure in the highest style.

ARHHHHHHHHGHGHGHHHHH DIE

IGNORE THE PREVIOUS POST

I hate you.

His conciousness then awoke anew. Reborn, this new creature opened his eyes to the room around him. He was alone. Where did he go, what was he doing here? The memories came back to him.

"Hey... hey Daniel, where have you been?" Sally said over the glaring music. She was a mousy girl with pale brown hair, her make up glittered like fish scales in the luminous light in the club.

"Uh, no nothing was just thinking about stuff, I'm wondering if I'm ready for this" he said. Sally let out an infectious laugh.

"Are we ever ready for anything? Come on you'll enjoy it, trust me." She thrust out one of her hands towards him, curved as if she was holding a precious stone. Daniel looked into her hand, looked at the tab of paper lying there.

"It's only acid..."

PS. I wouldn't mind writing a story with you, do you have any idea's? I do think that your writing is too "crowded" though. I like your imagery though.

this is queer

gayer than a pink shirt? :(

I SAID QUEER

meaning
STRANGE

wow that's pretty queer (can you see the hidden message dear?!)

WOW, that was clever